Sugar Coated Shroud of Turin
 
 

alizarin dye

Alizarin, a dye derived from madder root

Alizarin was a common medieval dye produced from madder root. The carbon 14 sample area of the shroud contains alizarin dye; something that is not found elsewhere on the full cloth.

New Tests Prove 1988 Carbon 14 Dating Invalid

Some of the alizarin dye was complexed with a common mordant, alum (hydrous aluminum oxide). The carbon 14 samples also contain cotton fibers and spliced threads where apparently newer thread was dyed to match age-yellowed older thread.

In addition to alizarin, other dyestuffs, cotton fibers and spliced threads are also not found elsewhere on the Shroud. As chemist Raymond Rogers wrote in the peer-reviewed, scientific journal Thermochimica Acta, "The combined evidence from chemical kinetics, analytical chemistry, cotton content, and pyrolysis/ms proves that the material from the radiocarbon area of the shroud is significantly different from that of the main cloth. The radiocarbon sample was thus not part of the original cloth and is invalid for determining the age of the shroud."

Thus the sample used suffered from what carbon 14 scientists call material intrusion.

material intrusion contamination

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  WHY THE SHROUD OF TURIN IS PROBABLY REAL EVEN IF THE MEANING IS UNCLEAR

dye lakes seen in a microscope
dye lakes seen in a microscope

What is the Shroud of Turin? The Shroud Described.

How the images might have formed. Images on the Shroud of Turin.

Hints from Edessa, 544 AD. Early Shroud of Turin History.

How a medieval artisan caused Carbon 14 Dating Errors.

Startling, Mysterious, Unexplained. The 3D Encoding of the Shroud.

The Variegated Cloth. Fooled by the Shroud's Background Noise.

The Art Connection. Christ Pantocrator and the Shroud of Turin.

Was the Shroud of Turin Described? Voices from the Past

Medical Perspective: Forensic Pathology of the Images

The Second Face: From the Back of the Cloth

Some say . . . Painted, Leonardo da Vinci, Jacques deMolay, Coins, etc.


 
    
 

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