Sugar Coated Shroud of Turin
 
 

alum used in dying

Alum (hydrous aluminum oxide), a Mordant

Alum, also called hydrous aluminum oxide, is a common mordant used for dying fabrics. It was widely used in the medieval era.

The carbon 14 samples contained alizarin dye; a dye that is extracted from Madder root. Some of the dye was combined with alum. The carbon 14 samples, which also contain cotton fibers and spliced threads apparently dyed to match age-yellowed older thread, was distinctly different from the rest of the cloth.

It is important to note that alum, dye, spliced threads and cotton fibers threads are not found anywhere else on the Shroud. As chemist Raymond Rogers wrote in the peer-reviewed, scientific journal Thermochimica Acta, The combined evidence from chemical kinetics, analytical chemistry, cotton content, and pyrolysis/ms proves that the material from the radiocarbon area of the shroud is significantly different from that of the main cloth. The radiocarbon sample was thus not part of the original cloth and is invalid for determining the age of the shroud."

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  WHY THE SHROUD OF TURIN IS PROBABLY REAL EVEN IF THE MEANING IS UNCLEAR



What is the Shroud of Turin? The Shroud Described.

How the images might have formed. Images on the Shroud of Turin.

Hints from Edessa, 544 AD. Early Shroud of Turin History.

How a medieval artisan caused Carbon 14 Dating Errors.

Startling, Mysterious, Unexplained. The 3D Encoding of the Shroud.

The Variegated Cloth. Fooled by the Shroud's Background Noise.

The Art Connection. Christ Pantocrator and the Shroud of Turin.

Was the Shroud of Turin Described? Voices from the Past

Medical Perspective: Forensic Pathology of the Images

The Second Face: From the Back of the Cloth

Some say . . . Painted, Leonardo da Vinci, Jacques deMolay, Coins, etc.


 
    
 

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