Sugar Coated Shroud of Turin
 
 

negative image

The image on the shroud is a negative image

In 1898, an amateur photographer, Secondo Pia, took a picture of the Shroud with a large wooden box camera. Back in his darkroom, he examined the glass-plate negative by holding it up to the light. He was so startled by what he saw that he almost dropped to negative, which would certainly have shattered thus losing one of the greatest pictures ever taken. What Pia saw was a positive, realistic looking picture of a man. Pia's negative was a positive and the Shroud, or so it seemed, was a negative.

The ghostlike picture on the left show how the picture of Jesus appears on the Shroud. When photographed with a film camera something quite startling emerges. If we look at negative before making a print we see a realistic picture of a man.

 

  WHY THE SHROUD OF TURIN IS PROBABLY REAL EVEN IF THE MEANING IS UNCLEAR

This is how the image appears on the cloth. It is naturally negative.
This is how the image appears on the cloth. It is naturally negative.

What is the Shroud of Turin? The Shroud Described.

How the images might have formed. Images on the Shroud of Turin.

Hints from Edessa, 544 AD. Early Shroud of Turin History.

How a medieval artisan caused Carbon 14 Dating Errors.

Startling, Mysterious, Unexplained. The 3D Encoding of the Shroud.

The Variegated Cloth. Fooled by the Shroud's Background Noise.

The Art Connection. Christ Pantocrator and the Shroud of Turin.

Was the Shroud of Turin Described? Voices from the Past

Medical Perspective: Forensic Pathology of the Images

The Second Face: From the Back of the Cloth

Some say . . . Painted, Leonardo da Vinci, Jacques deMolay, Coins, etc.


 
    
 

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