Sugar Coated Shroud of Turin
 
 

Wilson, Ian, on Christ Portraits

Ian Wilson on Christ Portraits from the Mysterious Shroud

Importantly, neither the distinctive Shroud-like Christ portraits nor the facial markings associated with them, are to be found datable before the sixth century. Many pre-sixth-century portraits of Jesus show him as an Apollo-like, beardless youth. Others, although of a bearded, long-haired type, lack the precision, frontality, uniformity of features, and Vignon facial markings so predominant from the sixth century on. Writing in the fifth century, St. Augustine complained that the portraits of Jesus in is time were 'innumerable in concept and design' for the good reason that 'We do not know of his external appearance, nor that of his mother.' The change came only in the sixth century.

 

  WHY THE SHROUD OF TURIN IS PROBABLY REAL EVEN IF THE MEANING IS UNCLEAR



What is the Shroud of Turin? The Shroud Described.

How the images might have formed. Images on the Shroud of Turin.

Hints from Edessa, 544 AD. Early Shroud of Turin History.

How a medieval artisan caused Carbon 14 Dating Errors.

Startling, Mysterious, Unexplained. The 3D Encoding of the Shroud.

The Variegated Cloth. Fooled by the Shroud's Background Noise.

The Art Connection. Christ Pantocrator and the Shroud of Turin.

Was the Shroud of Turin Described? Voices from the Past

Medical Perspective: Forensic Pathology of the Images

The Second Face: From the Back of the Cloth

Some say . . . Painted, Leonardo da Vinci, Jacques deMolay, Coins, etc.


 
    
 

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